The 2025-2026 MasterWorks Series
Where our stories meet.

The MasterWorks series serves as the cornerstone of the Canton Symphony Orchestra’s mission as a nonprofit performing arts organization. Exploring the vast orchestral music canon, we perform traditional favorites, contemporary and new works, and showcase composers previously undiscovered or under-appreciated throughout history.

Classical music is a rich, vibrant genre that spans centuries, continents, and cultures. There is so much to appreciate and to discover.
We hope you will join us!

MasterWorks I:
Six Strings & A Symphony

Saturday, October 4, 2025 | 7:30 PM

Wesley Schulz, conductor
Meng Su, guitar

The 2025–2026 MasterWorks season begins in celebration of Hispanic Heritage Month with a program rooted in cultural exchange, classical tradition, and artistic dialogue—an ideal starting point for Where Our Stories Meet.
 
El sombrero de tres picos, Suite No. 1 – Manuel de Falla
Concierto de Aranjuez – Juaquin Rodrigo
Overture to The Marriage of Figaro – W.A. Mozart
Symphony No. 4 – Ludwig van Beethoven
 

MasterWorks II:
Mendelssohn’s Violin Concerto

Saturday, November 1, 2025 | 7:30 PM

JoAnn Falletta, conductor
Nikki Chooi, violin

 Themes of resilience, lyricism, and identity shape this program led by JoAnn Falletta. The concert opens with Adolphus Hailstork’s Fanfare on Amazing Grace, a bold meditation on a timeless hymn, followed by Mendelssohn’s Violin Concerto, performed by Nikki Chooi, blending urgency and intimacy. The evening closes with Dvořák’s Symphony No. 6, last conducted here by Falletta in 1994—a rich tribute to Bohemian spirit and musical heritage.
 

Fanfare on Amazing Grace – Adolphus Hailstork
Violin Concerto in E minor, Op. 64 – Felix Mendelssohn
Symphony No. 6 – Antonín Dvořák

MasterWorks III:
Tchaikovsky’s Romeo & Juliet

Saturday, November 22, 2025 | 7:30 PM

Tito Muñoz, conductor
Mark Kosower, cello

As part of a season shaped by shared stories and human connection, Tchaikovsky’s Romeo & Juliet explores love in its many forms—romantic, fragile, and transformative. A masterclass in thematic development and dramatic pacing, the piece distills Shakespeare’s tragedy into pure symphonic narrative. Few composers have captured emotional extremes so completely—or so devastatingly.

“This Midnight Hour” – Anna Clyne
“The Guises of Love” (world premiere) – Daniel Perttu
Rococo Variations – Pyotr Tchaikovsky
Romeo & Juliet Fantasy – Pyotr Tchaikovsky

MasterWorks IV:
Orchestral Kaleidoscope

Saturday, January 24, 2026 | 3:00 PM

Roger Kalia, conductor
Averi Ellis, narrator

Designed to engage listeners of all ages, Orchestral Kaleidoscope invites audiences into a colorful afternoon of musical storytelling, virtuosity, and cultural dialogue—reflecting the season’s theme, Where Our Stories Meet, through works that showcase the orchestra’s full expressive range.

Baião N’ Blues – Clarice Assad
The Young Person’s Guide to the Orchestra – Benjamin Britten
Orawa – Wojciech Kilar
Symphony No. 9 – Dmitri Shostakovich
 

MasterWorks V:
An Alpine Symphony

Saturday, February 28, 2026 | 7:30 PM

Jeri Lynne Johnson, conductor
Photochoreography in collaboration with Ben Myers and Canton City School District

At the heart of this program is Richard Strauss’s An Alpine Symphony—a monumental tone poem tracing a full-day ascent through the Alps, from sunrise to storm to nightfall. This immersive performance features original photochoreography, created in collaboration with Canton City Schools and drawn from community-submitted images, offering a local visual perspective on nature, change, and resilience.

Karelia Overture – Jean Sibelius
Floridian Symphony (co-commission) – Meilina Tsui
An Alpine Symphony – Richard Strauss

MasterWorks VI:
Brahms’ German Requiem

Saturday, March 28, 2026 | 7:30 PM

Mélisse Brunet, conductor
Jessica Leigh Bayne, soprano
Sunghoon Han, bass-baritone
Canton Symphony Orchestra Chorus

In keeping with Where Our Stories Meet, this program pairs two deeply personal responses to grief and remembrance on the eve of Palm Sunday: one drawn from Andean heritage, the other from the Protestant Reformation.

Andean Elegy – Gabriela Lena Frank
A German Requiem – Johannes Brahms

MasterWorks VII:
We the People – An American Celebration

Saturday, April 25, 2026 | 7:30 PM

Francesco Lecce-Chong, conductor
Zhan Shu, violin

As the nation marks 250 years since its founding, the Canton Symphony Orchestra closes its 2025–2026 MasterWorks season with a program that reflects the evolving American story through voices both historic and contemporary. We the People is an orchestral reckoning with identity, heritage, and the complexities of shared national memory.

Bal Masque – Amy Beach
Violin Concerto, Op. 14 – Samuel Barber
Hymn for Everyone – Jessie Montgomery
The Tenderland Suite – Aaron Copland

Programs and Artists Subject to Change Without Notice